刘力国的经典系列以陶瓷华丽脆弱的特性，向我们展示了他对于狂欢、流行、本能、恶俗和商业的曳慈肭钟，他将艺术看作是一种对于末法时代的一种短兵相接的游戏和自我救赎的方式。他欣赏的一种活法，用他自己的话叫做不一定是做得很艺术，但是一定要很辉煌。

                摘自《末法》  作者：朱其  （2004年）

Liu Liguo’s “classical” series uses the characteristic flamboyant fragility of ceramic, laying bare for our exhibit his attitude toward revelry, popularity, instinct, and resistance to the invasion of objectionable custom and commerce. He regards art as a mode of hand-to-hand combat and a way towards personal redemption in tnis era of degenerate dharma. He admires a particular way of living, which he describe in his own words thus: ‘it may not be very artistic, but it is certainly is glorious.’

                  《Degenerate Dharma》

by: Zhu Qi （2004）